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Opéra scénique

Lully | The Forced Marriage

Saison

2024/2025

The comedy-ballet by Molière and Lully

Scene Comedy Ballet Moliere Singers Dancers Actors

The Forced Marriage is the second comedy-ballet composed by Molière and his first true collaboration with Lully. Its structure of successive sketches is still typical of the court ballet from which the comedy-ballet derives, and in this respect, it is quite similar to The Bores (1661).

Distribution

Vincent Tavernier Stage direction and artistic direction
Les Malins Plaisirs

Hervé Niquet Artistic direction
Le Concert Spirituel

Marie-Geneviève Massé Choreography
L’Éventail Dance Company

Claire NiqueSet design
Erick Plaza-Cochet Costumes
Carlos Perez Lighting

Featuring
Lucie Edel
Yannis François or Nicolas Brooymans (alternating depending on the dates)
Pierre-Guy Cluzeau, Marie Loisel, Laurent Prévôt, Quentin-maya Boyé, Maxime Costa (Actors from Les Malins Plaisirs)
Anne-Sophie Ott, Clémence Lemarchand, Artur Zakirov, Romain Di Fazio, Maya Kawatake Pinon (Dancers from the L'Eventail Dance Company)

Le Concert Spirituel Orchestra
Solenne Guilbert or Stéphan Dudermel Firstst violin
Elisabeth Geiger Harpsichord director

Program

Production

Co-produced by Les Malins Plaisirs, Le Concert Spirituel, L’Eventail, Angers-Nantes Opéra, Le Grand T de Nantes, l’Atelier Lyrique de Tourcoing, the Opéras of Massy, Reims and Grand Avignon, the Centre de musique baroque de Versailles, the Théâtre Montansier de Versailles, La Barcarolle - Théâtre du Pays de Saint-Omer, the Théâtre Alexandre Dumas de Saint-Germain-en-Laye, and the city of Le Touquet-Paris-Plage

Duration

1h30

no intermission

Photo credit

Le Mariage forcé - Théâtre Alexandre-Dumas de St-Germain-en-Laye © Hélène Aubert

Additional information

Opera sung in French

Seasons

Le Mariage forcé - Théâtre Alexandre-Dumas de St-Germain-en-Laye © Hélène Aubert

Setting a subtle, overall rhythm that alternates between acceleration and repose, Molière and Lully compose a work where their mutual whimsy can run free.
This rhythm is what must animate the performers, as well as the transformative stage design—evoking a "theater city" as mobile as the sketches, as colorful as the characters and their costumes, and as whimsical as the plot itself.

Synopsis
Sganarelle, feeling his age, prepares to end his bachelorhood, hoping to find in the ravishing Dorimène a wife to his liking—that is to say, at his exclusive disposal—to handle all household duties without question, including, of course, procreation! However, his bride-to-be has other ideas. After she explains to the old man how she envisions her future life (…very freely…), a worried Sganarelle, alarmed by an ominous dream, seeks advice from those around him: a close but skeptical friend, grandiloquent philosophers, fortune tellers, and even a magician and his imps. When he finally decides to call off this dangerous union, the beauty’s father and brother, all too happy to be rid of an ungovernable daughter, force the fiancé to keep his promises with the threat of a beating!

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